Stitching Times serves up stories, examples and tutorials about needlework related crafts, especially quilting and crochet. Almost all of the projects shown have been designed by Kay Stephenson
Showing posts with label quilting. Show all posts
Showing posts with label quilting. Show all posts

Friday, August 29, 2014

Making Half Square Triangles

I've been a busy bee lately finishing up projects and writing new patterns, so today I thought I would give you a little snippet of one. I made the quilt at right for the Michael Miller challenge to the Modern Quilt Guild. I call it tilt. I'm not quite ready to release the pattern yet, so here is a tutorial from the pattern on making half square triangles

When quilters talk about half square triangles, we are really talking about a square block that is made up of two right triangles. There are several ways to make them, and today's tutorial is about my favorite.
Obviously you could cut two right triangles and just stitch them together. But that is always a little tricky. You have to line them up just right to end up with a truly square block. 

The easiest way for me to make perfectly square units quickly starts with two squares that are larger than the finished half square triangles. In today's example, I cut two 4 inch by 4 inch squares to end up with two 3 ½ inch half square triangles which when sewn into a quilt top will finish at 3 inches square.
Other tutorials will tell you to calculate the size of the square you need to cut by taking the size of your finished square and adding 7/8 of an inch. However, I like to add a full inch as it gives me a bit of fudge room to square up the block after sewing and pressing.

Layer the two squares with right sides together, and with your ruler and a washout marking pen (or any fabric marker you prefer) make a diagonal line on the back of one piece of fabric. Generally choose the fabric where the line is going to show best. Here I have drawn the line on the white fabric.

At the sewing machine sew a scant quarter inch seam on one side of the line, removing pins as you sew.

Flip the piece around and sew another seam on the opposite side of the line. Trim your threads and return to the cutting board.

Use your ruler and rotary cutter and divide the piece along the line you drew (and between the two seams). Now take the two pieces to the ironing board and press each open, pressing seam allowances toward the darker fabric.

If you are anything like me these two half square triangles might be a bit wonky. This generally happens because the steam used in pressing has stretched the fabric just a bit. Never fear! That is why we cut the original squares at 4 inches instead of 3 ⅞ inches. Go back to the cutting board and using a 4 ½ inch ruler (or whatever ruler you have), trim up your square to be exactly 3 ½ inches. The advantage of this specialized ruler is that you can line up the diagonal on the ruler with the diagonal on your square to make sure you take extra fabric from the sides equally.
Voila! Two half square triangles in the time it would have taken you to make one. This is the method I always use if I want to make lots of half square triangles but they need to be from different fabrics.

If you need a big bunch of half square triangles that are all the same, the easiest way is to take two much larger squares, sew around the outside edges and then cut twice diagonally, but that is a story for a different day.

Friday, July 25, 2014

Fabric Friday - American Made Brand



I couldn't be more excited. This week I received my first shipment of American Made Brand fabrics. Have you heard about them? 

American grown cotton, spun into yarn here in the United States, woven into greige goods at one of our oldest weaving mills, and then on to an American dyeworks. I notice their latest marketing materials read "farm to fabric" and "not just made here, grown here", but I really love an earlier tagline.. "from dirt to shirt".


This may not sound so impressive until you realize how dramatic the decline in our textile industry. This may well be the only all cotton product (farm to fabric) produced in the United States. Oh we still grow lots of cotton. The South was built on cotton. But now over 70% of the cotton grown here is shipped overseas to textile mills with cheap labor, and (in some cases) questionable work practices.

Making the fabric here must make it really expensive, right? Not the case. Hawthorne Threads is selling it for $7.25/yard. Some high volume online stores have it for even less!


American Made Brand has a challenge on right now for quilts that will be displayed at International Quilt Market at the end of October. Unfortunately I just saw the notice and submissions (i.e. photos of finished quilts) are due by August 15th. Ah well. I didn't really need another deadline. 

What am I going to make with my treasure trove? Well a few more fabrics showed up that tell more of the story, and it might have to do with a couple of adorable youngsters that need more "grown up" sleeping bags.



And what girl doesn't need a pink camouflage flannel lined sleeping bag. I'm also going to have to incorporate a figure skate into this somehow. Hard to believe, but I searched high and low and couldn't find any figure skating themed fabric that would work with pink - hardly found any period.



I'm planning to use Kam Snaps instead of a monster zipper. That way they can open the bag out flat and use it as a beach or picnic blanket for years to come.


I thought this Amy Butler print might work too, but you know what? I'm just not an Amy Butler kind of girl. 


For the grown up young man, I'm thinking Star Wars. After all, even my 40 something husband still thinks Star Wars is cool. Might have to applique an X-Wing Starfighter on the carry bag!

And the best news? Thankfully these gifts won't be due until Christmas!

Monday, July 21, 2014

More Quick Satisfaction

Well over a year ago, I wrote here and here about ideas for using up some of the stash of selvage edges I've been collecting. 

Way back in February 2013 I got them all color sorted


I decided to make a long narrow wall hanging to replace this painting, which I kinda hate. It's boring and mundane and I was pressured into buying it at one of those art by the yard house parties. 

Voila!

Now that it's hanging in that little piece of wall space between two doors I kind of wish I had added more neutral border at the top and bottom, and then added a dark narrow border to frame the whole piece. Ah well, next time. This went together so quickly - probably a total of five or six hours over two days - so I may well make another one soon. I am loving these quick projects.

To make one of your own, select the selvage strips you want to use overlapping the finished edge on top of the raw edge of the piece below. Sew the strips together, sewing a scant 1/4 inch from the finished edge. Cut a couple of pieces of background fabric that are the height of your selvage collection and the desired width to go on both sides of the wall hanging. Now lay these strips on each side of the selvage collection overlapping by about two inches. Use your rotary cutter to cut a wavy line through both, and discard the scraps. Now pin, pin, pin those curved edges and sew the sides on. Clip the curves and press the seams towards the center. That's it. 


Quilt and bind to suit, including either a hanging sleeve, or corner pockets for a hanging rod. I've been using this method with corner pockets and a simple piece of dowel from the hardware store lately. Easy Peasy. I hope you decide to make one and if you do, please leave a comment here with a link to where we can all see it.

Monday, July 14, 2014

Love Quick Finishes - Here is "Prairie Bloom"


This is so unlike me. I started this project last weekend and here it is finished. I'm not that inclined to dawdle when I do apparel sewing or make bags. Those are often start to finish in a day or two, but quilts? Never,

It does help that this one is a small wall hanging or table topper - it finished at about 25 x 23 inches - but consider: 

I didn't know what I was making when I started building the equilateral triangles (look here for the technique); The background material was still sitting at Fat Quarter Shop and had to be mailed; used a different quilting design than I had ever tried before; and, the binding was done by hand.

You can really see the quilting in the picture of the back. 

I may have to do more small projects just to get that burst of happiness that comes from accomplishing something more often!

Thursday, July 10, 2014

Delightful Distractions

I'm so easily distracted. One day last week my guild-mate, Allegory, posted about the technique she uses to make scrappy string triangles. The idea of piecing on muslin instead of paper seemed brilliant to me. So did I file that away for some future project? Heck no, I hightailed it straight down to the studio, pushed everything I was supposed to working on to one side, and started making my own scrappy gems.

Pretty, pretty

Even with a couple of days off to work on some outdoorsy growing stuff projects, I've now completed two dozen of these six inch equilateral triangles, and purchased some lovely mushroom colored sashing fabric. Yep. That's me. So easily distracted.

Until next time...

Monday, June 30, 2014

Quilt Label Brilliance

I know I tend to rhapsodize about the West Atlanta Modern Quilt Guild, but here is reason number one zillion and two for why it's great to belong to a guild. A couple of months ago we were talking about quilt labels and I mentioned that I buy special ink jet printer fabric on rolls. I can cut the fabric to size and because it has a paper backing attached to keep it firm enough, I can run it right through my printer to make labels. The only problem is that it comes in one color – white.

One of my guild mates piped up and said that she didn't bother with special paper. She prints right on a scrap of the fabric from her quilt. How does that work you ask? Perfectly.

Just start with a scrap of fabric - in my case 8 ½ inches wide by 4 inches tall.

Spray the back of the fabric with some spray adhesive. I use OdifUsa 505 brand. Make sure to place the fabric on a scrap of paper so that you don’t end up with over-spray on your table or cutting mat.


Affix the fabric to a piece of regular computer paper, and trim to the proper size.

Now use whatever application you prefer to design your label. I use Microsoft PowerPoint, but as long as you can position the text and print, it really doesn't matter what you use.

Once your label is printed, let it dry completely (about fifteen minutes), then use a dry iron to heat set the ink.

Peel the computer paper off the back of your label, fold the edges under and give it a good press, and you are ready to stitch it onto the back of your quilt.

Brilliant right? And I never would have known to try this if I didn't belong to a guild with talented and clever quilters!


I also made the label for my Michael Miller challenge quilt but you will just have to wait until I can get some decent pictures to see more of that. 

Until next time, happy stitching!




Friday, June 13, 2014

Everyday Inspiration

The West Atlanta Modern Quilt Guild has hosted some of the best swaps and challenges in the past year and a half that we have been in existence, but I think the recent "Everyday Inspiration" is my favorite so far. Our President, Robyn Webb, challenged us to take pictures of things we see in our everyday life, and then to select one and create a quilt that is inspired by the photo.
As with most assignments, I chose not to completely follow directions. On a recent trip to San Francisco, I toured Heath Ceramics in Sausalito with family and friends. Even the historic factory design by Marquis and Stoller in 1959 is inspiring. Read more about that here.
But I was most taken with glaze samples that I saw hanging on the walls. The image immediately put me in mind of all the Kaffe Fassett shot cottons I had sitting in my stash - some dark, some light, and some just that shade of gold. I knew before we left the place that this image would somehow figure in my entry for the challenge.
Later that same day we were in Berkeley and stopped in a restaurant called Eureka, (which I am determined to call Bang because of their signage). When I saw that sign facing me as I sat down, I loved it! For those that aren't in the know, this is an exclamation mark, or exclamation point, but for printers and programmers, it is commonly referred to as the "bang". 
Not to stray too far afield, but the symbol was thought to derive from medieval copyists who used to write the Latin word io at the end of a sentence to indicate joy! what a perfect summation for what had been a perfect day in the bay area.
So I didn't choose just one photo for inspiration, but two. However, I didn't noodle on those images for long after we returned to Atlanta because we left a few days later for a week at the beach. I needed a hand project for the car ride and this was it! I printed out two inch squares on freezer paper, grabbed fabric and scissors and off we went. I never would have thought to make this sort of straight-forward grid using English paper piecing, but it worked out great. In the past when I've tried to work with the Kaffe Fassett shot cottons, I've found them to be a stretchy pain, but there was none of that with this method. 
I did have a bit of a fit with the big gold bang, as it wanted to move around quite a bit, and I wanted to do some thread painting prior to quilting. I compromised by spray basting it to the background and then stitching all around the raw edge to start. given the barn wood decor of the restaurant and the sign, I wanted to let the edges ravel and be a bit more rustic. For quilting I decided to use straight-forward stitch-in-the-ditch to make the "tiles" pop. 
This was a truly fun challenge that had our members stretching to try things they had not done before - like designing their own piece and working without a pattern. Check out some more of our finishes here, and consider a similar challenge for your guild in the future.







Monday, March 31, 2014

A Gaggle of Geese

I might have mentioned that I've been a bit obsessed with hexagons. Well add flying geese to the list. I'm working on a block quilt where each block is made up of a different design using flying geese - those cute triangles that veer in one direction and another.
I've also done quite a bit of experimenting with making the geese fly in a circle and paper piecing is my savior. I made three gifts with a similar theme for three friends who had birthdays in January and February.

Jim was gifted with a two bottle wine carrier and a pouch that holds a reusable ice pack in case the wine is white - or in case room temp is just too hot as is often the case of a Southern summer.

Alice, an inveterate knitter who seldom ventures out without a project, received a project bag along with an accessory pouch to hold all the etcetera that usually floats around in the bottom of a craft bag.

Here is another view that shows detachable shoulder strap.

And Joan received this table topper/hot pat/wall hanging. Yeah, I know, but it really could work as any of those. It has pockets for hanging, is insulated, and could be just decorative on the table.
Each of the circles is made up of four paper pieced sections, and though it looks a bit complex, it really is easy peasy. Paint by numbers for quilters!

Here you can see how the sections were assembled for each piece.

This is the template I drew up. I made my template at 6 1/2 inches so that the finished circle would be 12 1/2 inches, but you really could make it any size. Feel free to reproduce it either by copying the picture and inserting it into another document or application, or by using this as a guideline to draft your own.

And if you aren't an expert paper piecer, by all means take Amy Gibson's free class on Craftsy.com. In the 2012 Block of the Month class she gives and excellent explanation of how to paper piece. 

The only thing I would add to her instructions relates to perforating the paper. Amy recommends that you use your sewing machine without thread to quickly perforate the paper along the seam (and future tear) lines. While this works really well, it is hard on the sharpness of your needle. 
I recently learned a new trick and now I use my tracing tool to quickly perforate the seams. I like this one from Dritz. Give it a try and let me know what you think.


Thursday, March 27, 2014

And goodnight to the Old Lady whispering "hush"

Don't you love Margaret Wise Brown's classic bedtime story? The illustrations by Clement Hurd
are brought to life in a new collection of licensed prints by Cloud 9 Fabrics. When I saw the fabric being offered by one of my favorite retailers, I thought immediately of a friend with a new baby and decided I needed to make something for her.



In the past, I've made quilts for baby showers, and then followed up with a gift when baby is born of some bookends and a starter collection of board books. Goodnight Moon is always among them. 

This time I decided to make something that would work as a baby quilt, but also hold up to rougher use as a playmat as baby grows through toddler stage.
And I love that Cloud 9 produces only organic cotton fabrics using low-impact dyes, so you know it is safe for baby.


How is that for bright primary colors?

There's little bunny....



and pesky mouse.

Clementine Glory. What a perfectly  Southern little girl name!

 
I used this dark teal solid for the back, which coordinates with the prints, but also won't show stains as much as a lighter backing. We are talking children playing on the floor in a house with dogs.
If you are looking for a quick and easy gift for a new baby or a toddler, this is it. This play mat is made up in the wonderful “Goodnight Moon” collection from Cloud 9 Fabrics. The design is a very simple large block patchwork that even the most novice quilter can easily master. Consisting of only three sizes of blocks, it’s also really quick. You can cut and pieced the top in an afternoon, and the quilting design (a simple diamond grid) is just as straightforward. No special skill required. Find the pattern here.