Roll and Go Baby Changing Pad

Earlier in the week I shared a quilt with you that I made for a young couple who are having their first baby (a boy) next month. I've also made them another baby item that I've made in the past. This roll and go changing pad has been a real hit.

In fact, based on advice from moms, I've made this couple two to coordinate with the custom quilt I designed to match her nursery colors. The fabric is Aviary 2 by Joel Dewberry for Free Spirit (Westminster Fibers) and though it’s not at all babyish, I think the gray, cream, and yellow works for a boy. 
Though I found the original pattern in this book, it doesn't really require a pattern. Just cut out two pieces of coordinating fabric 18” by 22” (or square up a couple of fat quarters). Add a piece of thin batting the same size, and a piece of 7/8 inch grosgrain ribbon that is 16 inches long. Fold over one end of the ribbon and sew a small square of hook and loop (such as Velcro) to cover and secure the end. Now flip the ribbon over and sew the other half of the hook and loop 8 inches from the end (about the middle) of the ribbon.

Your next step is to layer one piece of fabric (the one that will be the inside – in this case the solid gray) and the batting with wrong sides together. Stitch three seams from one long side to the other as shown in the diagram.

Layer the piece you just joined with the other piece of fabric (the outside), with right sides together. Batting will be on the outside. Insert the ribbon half way down the long side between the two pieces of fabric. Make sure that the hook and loop piece on the end of the ribbon is facing in the same direction as the outside fabric and that the opposite end will be caught in the seam. Stitch all the way around the four sides of the rectangle leaving an opening to turn the piece right side out. Trim corners and turn right side out, making sure to get corners sharp, and press. Top stitch close to edge on all four sides to secure the opening and finish the edges.

Fold and roll the changing pad as shown in the video and secure it with your ribbon/hook and loop strap. Toss it in the diaper bag or bottom of the stroller and you will always have a clean place to change the baby, no matter where you are.

And about that book, buy it! Even though this simple project doesn’t need a pattern, there are so many other cute baby things in there you will be glad to have it. 

Guest Blogging with Intown Quilters

Wrote a "Tips on Tuesday" guest blog over at Intown Quilters today. It's about the quilt measurement guidelines I wrote about here last week. If you are local to Atlanta or visiting the area, don't miss visiting the shop. Owner, Sarah Phillips makes sure this is one special shop with the most interesting fabric and classes.

Another Baby Boy Quilt

How is it that a 50+ year old woman with no children of her own is constantly making things for babies? Just lucky I guess. 

Here is the baby quilt I designed for a mom who is due in August. It’s probably one of the most ambitious projects I’ve taken on because of all the hand work. The images in the light blocks are all hand appliquéd and embellished with hand embroidery. Also the quilt is completely hand quilted. It’s not that any of those techniques are particularly difficult, but all that close quilting is time consuming. I've been anxious to give it to her, so that I could then share it with all of you, and that finally happened Saturday evening. 

The colors are quite unique. Mom and I went shopping for fabric not long after she found out she was pregnant, and she told me she was thinking about gray and cream with just a little bit of yellow. Then she sent me this e-board. Isn't this a clever idea? She has a friend, Christie Chase, who is an talented artist and designer. Christie put this together to provide inspiration for the nursery. The link is to a post on Christie's blog that shows the finished nursery.
It just happened that I stumbled upon another post that day with a couple of these fabrics identified, so I looked them up and ordered a half yard of each pattern in the grey/cream/yellow colorway that Mom favored. You can find the whole line at this link: Aviary 2 by Joel Dewberry for Free Spirit (Westminster Fibers).

As I usually do, I sat around and looked at the fabric for a long time. I had been thinking I would make a quilt of big blocks and embroider cute boy vignettes in several of them. Once I saw the fabric though – especially this wood grained yellow – all I could think about were wooden toys.

I bought cream fabric and dug through the stash to find an assortment of solid grays then set to work on the design.

Those of you that know my work also know I’m not a huge fan of symmetry. So it should come as no surprise that the soldierly rows of blocks are broken up into uneven clumps with shashing. But the real fun came with the images. I pulled many from clip art images on the internet and narrowed it down to these:

A rocking horse          

A ball and bat                        

A wagon                    

A teddy Bear                         

A blue tick hound (because these parents have one)

And a pile of blocks that spell out a name.

I loved that I could make some of those traditionally wooden toys out of wood grained fabric.

If nothing else, this quilt is a reminder that whatever you are making, you should be having fun, and that gifts should always reflect the recipient’s interests.

If you would like to make this quilt, or need a guide to make something similar but tailored to the interest of someone you know, find the pattern here.

Quilt sizes: How to Measure for Specific Projects

One of the first steps in designing your own quilts is to decide on the overall size of the project. If this quilt is meant to be a wall hanging only, then you can make it any size that will fit in the space where it will be hung. However, if this quilt will be used to cover a bed and keep people (or dogs) warm, then you need to start with the mattress.

If possible, I always measure the bed where the quilt will be used. Begin by measuring the width and length of the mattress top. Next decide how much of a “drop” you want on the quilt. This is the length you want the quilt to hang down on the sides.

Depending on the bed height, whether I want side rails to show, if a dust ruffle will be used, etc. I generally use a drop of 10 – 16 inches. If the quilt is just for show, then it’s all about that, but if people will actually sleep in this bed, then you want to make sure there is room for them under the covers and for the quilt to still hang over the edge a bit.

I also usually plan for the quilt to be either flush against the headboard with pillows/shams on top, or to start right at the edge of the pillows. This depends on the design and how important it is to see that upper border. If you are making a lightweight quilt that will be used as a bedspread (that is with pillows tucked inside the quilt) then you will need to allow for this as well.

When I’m making a gift, I sometimes have to rely on standard sizes. Unfortunately mattress sizes are less standard than they could be – especially when it comes to how deep they are. The Mattress depth can range from 9 to 16 inches  and box springs and the bed frame will raise the whole bed even farther off the floor. Additionally toppers like memory foam or pillow top can add 2 – 4 inches to the depth of the mattress. Despite these challenges, here is some information that will help.

Mattress Sizes

Description	Size in Inches
Crib (Baby)	27 to 28 x 50 to 52
Twin	39 x 75
Twin XL (dorm bed)	36 to 39 x 80
Full (double)	54 x 75
Queen	60 x 80
California King	72 x 84
King	76 x 80

Commercial Quilt Sizes

Description	Comforter	Bedspread	Packaged Batting
Crib (Baby)	36 x 54		45 x 60
Twin	65 x 88	81 x 107	72 x 90
Twin XL (dorm bed)
Full (double)	80 x 88	96 x 107	81 x 96
Queen	86 x 93	102 x 112	90 x 108
California King
King	104 x 93	120 x 112	120 x 120

Fons & Porter Standard Quilt Sizes

Description
Crib (Baby)	30 x 54
Twin	65 x 95
Twin XL (dorm bed)
Full (double)	80 x 95
Queen	86 x 100
California King
King	106 x 106

When designing your own quilt, be sure to allow for shrinkage of the quilt due to the quilting. Depending on how densely the quilting is done, you can expect between 3 and 5% shrinkage. Fabric requirement calculations also need to allow for fabric shrinkage. Remember that cotton fabric should be washed before cutting. Again you can expect up to 5% shrinkage depending on the quality of the fabric. Finally, remember that cotton fabric on the bolt may not be true to grain. This means that when it is cut at the shop the ends may look straight. However, when you take the fabric home and wash it, it will go make into its true shape. This can also cost a bit of yardage. I general allow for up to two inches on either end of a cut piece of fabric that may need to be discarded.

The same basic measurement guidelines can be used to plan for any quilting project, like this couch throw. My one rule of thumb – a bit too big is better than too small when it comes to a quilt.

Where Do You Find Inspiration?

I often look at objects I find appealing and wonder how I could translate the essence of that piece into a quilt. Since visiting Acoma Sky City in New Mexico in 1992, I’ve loved the pottery of the region. When I visited it was on one of the rare days when cameras were allowed on the mesa if you purchased a permit. I had some fabulous photographs of this community that is perhaps the oldest continually inhabited city in North America. Sadly, all of those photos were lost in a flood many years ago.

These black and white images byAnsel Adams taken in the late 1930s and early 1940s don’t do justice to the astounding contrast of china blue sky, creamy adobe structures, and the smiling faces of local women making and selling fry-bread.

I appreciate both vintage works and some that are more modern.

The modern piece at left by Theresa Garcia-Salvador is a favorite of mine.  The artist is just a bit younger than me and is a member of the Red Corn Clan from the Acoma Pueblo in New Mexico. The paints she uses are all natural pigments from the earth. You can see pottery by many Acoma artists here.

 Of course there are other pots I admire, and which may inspire future projects, but when I saw some of the new Kaufman Kona Solids in warm earth tones along with stark black and white at a Whipstitch, a favorite local shop, I knew I had to make something that evoked these beautiful pots.

I’m still working on the design for this wall hanging, but the drawing gives you an idea of where I’m headed. I suspect the final project will include less solid black and more thread painted lines. The finished piece will be roughly 28 x 32 inches, which is fairly small and manageable on a standard home sewing machine. The real challenge will be figuring out which sections to piece and which to appliqué, but what fun it will be – mixed with a bit of hair pulling I’m sure.

Tell me. What inspires your art?